9 dreams a diary:
A beautifully made book received from Klaus opens with the preface: “When I wake up, I do not remember the whole dream. A few sentences are left, sometimes just words or pictures. I draw, I write down these fragments… the dreams in this book are therefore not accurate notes of my night dreams…the transfer of drawings in linocuts, the selection of dreams…changes the dreams once more. Or is it rather the case, with such an art activity it comes closer to what happened at night? Who knows”. Indeed who does? Dreams change during telling, the unconscious I think highlighting something, which may be concealed in the dreaming. It’s a strange business, dreaming, yet, if I don’t dream I feel defrauded – as though I endured an inactive night. Sunday August 20th ‘s dream: They asked me, what my greatest wish would be for the rest of my life and I said, without giving any thought: I wish I could fly again in my dreams, like the time when I was a child when every night with arms outstretched and the wind I flew over forests, fields and the sea. They answered: Unfortunately, this is no longer possible. It’s too late”. Is it I wonder?
Durban Elephants Mook Lion as he is better known on campus is currently studying for his MTech at Durban University of Technology. He is a street artist whose elephants and other works are appearing in many public Durban areas. For example, for the International Union of Architects World Congress, Daniel was commissioned to paint Public Art of five site-specific murals within walking distance of the ICC and the UIA 2014 conference.
This book came about after he showed me beautiful lino cut prints which were preparatory sketches for a commission. One such print is the main accordion fold of the book. Daniel is making art which is “conceptually driven, with a fine art aesthetic, within the public space”. For the Digital Art Festival which has just past, he painted a giant portrait using a roller on a LONG pole, no drawing, standing about 4 meters on a flight of stairs, painting over another flight in a double volume area. I am in awe!
CiRC! (Series 2): Jürgen Olbrich (Germany)/Cheryl Penn – CirC! Collaboration 10
I have not known Jürgen for long, but having received some catalogues from the 90’s (amongst other fascinations!) – like (SAVE/GIVE Life is Art enough) (Kasseler Kunstverein/ Jürgen Olbrich) and documentation of other hugely interesting projects, I was delighted that he agreed to collaborate with me. I say series 2 as the format has changed to accordion after spending some time inhaling thinners in the printing studio! Jürgen is involved in many long-term projects – like Collective Copy, which has been running since 1977, and the Paper Police project in which he controls public paper containers all over Germany, now for over 20 years. He has “tons of material” and supports 15 museums and collections world wide with things he finds in the containers, including “the Jewish Museum in Berlin with Nazi material…
One of the first things I found 2o years ago in a container was an English children’s book. This and 3-4 other items actually sparked off the idea of the “Paper police”. It is this book, found 20 years ago Jürgen has used to complete the collaboration.
Overheard Overhead (Book/Chapbook – further edition of 6 chapbooks)
This is my 4th book of aleatory (related to chance) poetry – or I guess its better-termed free verse. Lines of words stand in a queue waiting for their turn to appear on a page. Sometimes the queue is so long I forget until I can get to pen and paper; then there they are again, needing to be part of no sequential, edited text, just written down and appearing together. I posted this work on the collaborative writing blog as again, it’s a collaboration between myself and chance. http://collaborativecanto.blogspot.com
don’t waste your time
don’t mistake her
for someone who cares
the static got to her dawn.
can no longer shine.
Preparing the campus for the public has involved teaching students the interesting results of facial distortion – how to keep a character essence while twisting features – an interesting experiment. Photographs were taken with a phone and a simple free image distorter. The results were painted onto the wall – by first year students. Bongani has just been to China on a trip he won from the Confucius Centre for a startlingly realistic portrait of Confucious – and his wall work reflects his travels. Dane is from the Graphic design department – AMAZING work, and me – well, I’m just me!
A Curious Dream – Unique Book accordion bound. 320cm long by 21cm high.
I began this book in 2011 while in a flurry of idea implosion and excessive book activity. Quite a few books were begun during this time, but with no deadlines in sight, they lay, waiting completion. An Encyclopedia of Everything and Other Matters was the perfect excuse to go through these to see if any were worth finishing. This certainly was. The curious dream begins with “This place gave her the creeps. Everyone looked like half something. Like De Moreau had had a go. And there were Twelve Monkeys suffering from vertigo. The horn man said: What are you staring at”?
I’m certain everyone has those tasks, perceived as gargantuan that get left and left until The Day when they must be tackled. And, they ARE as huge as you thought they would be, but what a relief once they’re done. Plagiarism was such an undertaking. But now it is done – and its beautiful. Back in 2011 I took a paper I had written, plus assorted documents I had NOT written, pulped them, and remade the paper. These pages are then embedded text and images remade.
I asked artists (some members of IUOMA) if they would like to receive two sets of pages, air their views on plagiarism and return them to me. And most of them did. The recycled paper, is brittle (commercial paper has very short fibers and once remade becomes even more fragile) and thick. I knew binding would be a massive task as the artists had all treated the pages differently, some even removing the gutter section! On Monday I hauled it out of its tomb and for the first time in 3 years the folios saw the light of day. I deemed yesterday TO BE THE DAY! Eventually I opted for Coptic binding which was difficult with the fragility of the paper so I firstly reinforced each signature with Japanese paper. It took a LONG time with much muttering – BUT it is done. And it’s a striking, unique book. Many thanks to the following artists who returned their pages. I WILL be sending some sort of documentation as I promised.
List of Participants
“E” – France
Rob Grant – Australia
Rosa Gravino – Argentina
Judith Heartsong – USA
Lisa Iverson – USA
Diane Keys – USA
Susanna Lakner – Germany
Lesley Magwood Fraser – South Africa
Katerina Nitoltsou – Greece
Bifidus Jones – USA
Cheryl Penn – South Africa
Svetlana Pesetskaya – Russia
Nancy Bell Scott – USA
Judy Skolnik – USA
Jen Staggs – USA
Guido Vermeulen – Belgium
Nadine Wendell Mojica – USA
Marie Wintzer – Japan